Lyrics
The lyrics below are preserved exactly as documented in nineteenth-century primary sources. Dialect, spelling, and phrasing reflect the living tradition of the communities who created and sang these songs. Standardizing the language would erase the historical record. See our editorial standards for more.
Refrain:
I want to be ready,
I want to be ready,
I want to be ready,
To walk in Jerusalem just like John.
John said the city was just four-square,
Walk in Jerusalem just like John;
And he declared he'd meet me there,
Walk in Jerusalem just like John.
Oh, John, oh, John, what do you say?
Walk in Jerusalem just like John;
That I'll be there in the coming day,
Walk in Jerusalem just like John.
Historical Context
"Walk in Jerusalem Just Like John" — often known by its refrain, "I Want to Be Ready" — draws on the vision of the apostle John in the Book of Revelation, who beholds the New Jerusalem: "the city lieth foursquare," its streets of gold, its gates of pearl (Revelation 21). To "walk in Jerusalem just like John" is to walk, in the end, the streets of that holy city as John walked them in his vision. The song was carried by the Fisk Jubilee Singers and documented by John Wesley Work and James Weldon Johnson.
Cultural Significance
The heart of the song is the refrain's single, repeated longing: "I want to be ready." Readiness is the song's whole subject — the desire to be prepared, whenever the summons comes, to make the final walk into glory. This is the spiritual of the watchful, those who do not know the day or the hour and so must be always prepared.
For the enslaved community, the preoccupation with readiness reflected a world in which death and separation could come without warning — through violence, through disease, through the sudden decision of an enslaver to sell. In such a world, the resolve to "be ready" was not morbid but practical and defiant: whatever came, the singer intended to be prepared to walk into the city where "he'd meet me there."
The reference to John as a companion and witness — "he declared he'd meet me there" — turns the solitary journey into a reunion. The singer does not walk into Jerusalem alone but joins John and the whole company of the redeemed. The heavenly city, foursquare and open, is a place of gathering, where the scattered are brought together at last.
Scholarly Notes
James Weldon Johnson and John Wesley Work documented the song within the tradition's rich body of heavenly-city and readiness themes, drawn from Revelation and from the parables of watchfulness in the Gospels.
The song's two titles — "Walk in Jerusalem Just Like John" and "I Want to Be Ready" — reflect the common practice of naming a spiritual either by its refrain or by its most memorable line, and both circulate in the collections and recordings.
The spiritual has been widely arranged for choir and remains a staple of the concert-spiritual and gospel repertoires, its yearning refrain among the tradition's most direct expressions of hope for the life to come.